Thursday, February 13, 2025

The Exchange: Passion and Murder in Antebellum Richmond. Part One.

 

From An Authenticated Report of the Trial of Myers and Others, for the Murder of Dudley Marvin Hoyt… (1846)


Among the several lottery agents doing business in the basement of Richmond’s Exchange Hotel in the1840s was Dudley Marvin Hoyt. Born in 1812, Hoyt was a native of Lowell, Massachusetts who moved to Boston to join his half-brother, Charles, who was the operator of a lottery agency. Unlike today’s system of governmental appropriation, lotteries funded much of the infrastructure of eighteenth and nineteenth century America - a time that demanded improvements to support America’s industrialization and rapid westward expansion. Indeed, a seminal point in Richmond’s own history was a lottery held in 1767, where the prizes were lots and parcels in the newly formed town. Wharfs, bridges, colleges, fortifications, and canals all over the country were financed through lotteries licensed by local governments in the 1800s. Lottery agents like the Hoyts charged a small commission to sell tickets and distribute prizes.

After his Boston apprenticeship Hoyt moved again, first to Norfolk and then to Richmond, bringing his knowledge of the lottery business. Hoyt opened a “Prize Office” on the 14th Street side of the basement of the Exchange Hotel in October 1843, and lived in an apartment in the rear of his establishment. Hoyt had a good reputation in his business dealings, and in a short biographical sketch by “a relative,” was described as a perfect gentleman, “although his peculiarity of dress and appearance often provoked remark” on the streets of Richmond. Another description of Hoyt agreed on his fashion choices, noting, “He had a fine person, of which he seemed particularly regardful, adorning it with a very outrĂ© and extravagant style of dress, which excited much attention, and perhaps some animadversion.”

Hoyt set up his office at the Exchange Hotel for good reasons. Not only was it a social crossroads of the city, but it was also luxurious by Richmond hotel standards with an interior described in Lost Virginia (2001) as featuring, “marble floors, a large vestibule ornamented with statuary, a great hall, a ladies dining room, a gentlemens drawing rooms, a dining room accommodating 300, reading rooms, and a ballroom, all surrounding a landscaped central courtyard.” The hotel was one of the few bright spots in Charles Dickens’ visit to Richmond in 1842. Despite his disgust with the institution of slavery, Dickens had to admit the Exchange Hotel was ”…a very large and elegant establishment, and [we] were as well entertained as travelers need desire to be.” He described the convivial atmosphere of the Exchange with music and laughter echoing down its carpeted halls and beautifully furnished public spaces: “The climate being a thirsty one, there was never, at any hour of the day, a scarcity of loungers in the spacious bar, or a cessation of the mixing of cool liquors; but they were a merrier people here, and had musical instruments playing to them o’ nights, which was a treat to hear again.” Dickens must have known he was experiencing a degree of service at the Exchange Hotel only made possible by the unseen enslaved who went about their duties quietly serving, cleaning, and maintaining the opulent hotel.

Hoyt regularly ran newspaper advertisements for the lotteries he was promoting and his ads, like his clothing, tended to be more colorful compared with those of his competition along 14th Street. Charles Wortham, Russell Bigger, and W.P. Turpin were all vying for lottery business, but their advertisements never matched Hoyt’s overheated prose that promised riches only a lottery ticket away.

HOYT is about to eclipse himself. He has eclipsed everyone else in selling Grand Capitol Prizes, and is now about to sell $75,000 for $20.00…You hear a lot about Prizes, but you know that HOYT stands at the head of the present generation of Vendors. Talk about Capital Prizes! You should never mention the subject without mentioning HOYT’S name with it.

A picture emerges of a successful businessman with flamboyant tastes in both clothing and ad copy, perhaps all part of the self-promotion that Hoyt felt was necessary to project himself above his growing competition. More lottery agents were appearing in Richmond, like J. F. Word, who established a shop on 14th Street across from the Post Office, and the improbably named Caddis B. Luck, whose “New Lucky Lottery Office” was under the Eagle Hotel a block away on 13th Street. Hoyt, like many other Richmonders, probably joined his fellow lottery agents milling around the Exchange Hotel Post Office where papers from other cities brought the news of the day. Deliberately resplendent in his flashy garb, Hoyt would have been easy to pick out among the crowd on the sidewalk who were chatting and smoking as they followed the news of the war with Mexico which began in May 1846 after the United States annexed Texas.

An 1846 lottery ticket. From the WorthPoint online auction site.


Hoyt, if not a gambler himself, certainty understood the psychology of gamblers as he faced them across his desk when they came in and put down their hard-earned money on a long shot at great fortune. He no doubt observed the bitter regret in the faces of the losers when their ticket didn’t win. He probably had few illusions about luck and odds, about consequences of a misstep, picking the wrong number, and the looming specter of terrible loss. Because of this experience, Hoyt might have thought better than to gamble on what began as a secret relationship with a woman married to a prominent Richmond tobacco dealer, with the torrid exchange between Hoyt and William Myers’ wife exploding into public and leading to the death of one and the utter disgrace of the other.


Title page of An Authenticated Report of the Trial of Myers and Others, for the Murder of Dudley Marvin Hoyt… (1846). The book is available on the Internet Archive


Virginia Pollard was born in 1814 in Nelson County, the daughter of an officer in the Continental Army who was later a prominent planter in Albemarle County. One account described her as, “She is a lovely, talented, and accomplished woman, and we well remember when, a little while ago, the admired belle became the blushing bride of an envied husband.” She married William R. Myers in 1840 and the couple moved to a home in Richmond on 7th Street. Myers was a partner with his brother in the tobacco firm of Samuel S. Myers & Co. at 7th and Canal Streets and was termed “a gentleman of the highest respectability, moving in the first circle in the City of Richmond.”

The relationship between Virginia Myers and Dudley Hoyt survive in an extraordinary collection of letters, for the most part from her to Hoyt. There is an almost complete absence of surviving letters from Hoyt to Virginia Myers, with one notable exception which was intercepted by her father. “Have no fear of writing…” she assured Hoyt in a letter written in September, 1846, “…for every word is burned instantly.” This is in contrast to the more than 50 letters she wrote Hoyt over the course of ten months, almost all of which were recovered from Hoyt’s rooms at the Exchange Hotel and to Virginia Myers’ utter embarrassment, published before the end of the year.

Near the end of that ruinous year of 1846, Virginia Myers wrote to a friend in Baltimore to explain how her exchange with Hoyt began. “The commencement of my acquaintance with Mr. Hoyt was under the following circumstances.” Virginia said, “Up to this time, I had never exchanged a word with Mr. Hoyt in my life.” She rather vaguely recalled Hoyt sent her a letter and “the contents of this letter rendered it necessary that I should seek a few words of explanation with him. I was reluctant to make this the subject of a letter to Mr. Hoyt, and therefore I addressed him a note, ‘requesting to see him at my own house concerning the matter.’” Recognizing they were nearing the boundaries of propriety, Virginia Myers agreed to meet Hoyt formally at the studio of a miniaturist, Mr. Morien, who at the time was painting Hoyt’s picture. “From this time his visits to me were very frequent.”

These assignations with Hoyt and Virginia Myers seem quite chaste by modern standards. Their correspondence was mostly about Virginia’s real or imagined miserable marriage and Hoyt’s perpetually sympathetic ear. Her emotional dependence on Hoyt and his deepening involvement with her led to infatuation, and then passion. At the end of 1845 she sent Hoyt a small keepsake, and wrote “…may I not, my best of friends, ask you to prize it as a memento of one whose hours of darkness and sadness you have brightened by your words of goodness, of kindness…”. By Spring, 1846, Virginia’s tone has intensified: “My God! My God! What am in not suffering?” she wrote Hoyt, “Agony, yes, tenfold agony. May I not still call you DEAR, dearest love? for you are so in the fullest meaning of those words.” Virginia Myers and Hoyt would occasionally meet at the Exchange Hotel, generally in a private salon called Parlor 18. This tall-ceilinged room had interior shutters on the windows that opened onto the “piazza” in the hotel’s central courtyard, affording Parlor 18 a degree of privacy. On April 25, 1846, Virginia Myers wrote Hoyt, “Good-bye, love, till to-morrow, when I will talk to you again. I will seal all I have promised you with a dear kiss. Shall it not be two? Yes! I say. How strange it is, I never loved to kiss anyone, save you, precious darling.” Virginia Myers’ letters, printed and arranged chronologically, chart a downward path, increasingly hysterical and fraught. Despite the desperate tone, Hoyt, perhaps flattered by the attention, responded with sympathy and a growing desire for Virginia Myers.

Later, when all was revealed and her letters published, Virginia Myers understandably received much criticism about a letter she sent her husband on September 8, 1846, while he was in New York City. In the midst of her passionate exchanges with Hoyt, she wrote William Myers: “Oh! Dearest Willie, how sadly, have I missed you! I really feel this morning almost too gloomy to write, and yet this will tell you how fondly I have thought of you since we parted. My darling husband, I do indeed love you very dearly, and could you know every feeling of my heart, you would never doubt one so purely yours.” She concluded the letter, “Now for a thousand kisses, and good bye, my dear precious husband. With every assurance of devotion and affection, I am unchangingly yours, Virginia.” One Richmonder, outraged by reading this letter to William and its raging hypocrisy, later wrote “Does she call it a pure heart, and an angel’s spirit where she says, in letter No. 55, ‘she prays Heaven to take all her relatives from her, that she might be united with Mr. Hoyt?’” The shocking passion voiced in the letters between Hoyt and Virginia Myers was as loaded and damaging in Richmond public opinion as though the two were physical lovers.

View looking west on Franklin Street, showing the Exchange Hotel on the left with its bridge over the street to the Ballard House Hotel. From Richmond: A Pictorial History from the Valentine Museum and Dementi Collections, (1974)


As the Summer of 1846 passed by, Virginia Myers and Hoyt had a growing awareness that their meetings, their sly signals to each other at the theater, and their encounters at the Exchange were drawing unwanted attention. “I left No. 18 at a most unfortunate moment, I fear, for I observed several persons in the room opposite, whose faces I could distinguish for my veil, also a servant in the Rotunda,” wrote Virginia. “Now I am afraid they will speak of it…I can only hope you did not come out the same door I did, for if you did, of course, it gave rise to remarks.” Eugene Pendleton was Hoyt’s clerk and lived in a room in Hoyt’s office under the Exchange Hotel. He recalled Hoyt asking him in late September if Pendleton had heard any reports about him and Mrs. Myers, and if so, to tell Hoyt who it was as this sort of thing had to be stopped. Hoyt sensed the enchantment between himself and Virginia Myers was leading both of them into dangerous territory, perhaps knowing the heaviest penalty would fall on him.

It was in that summer of 1846 that William Myers found a note that had been slid under the door of his office. Myers read it, got on his horse and rode home. He quietly entered the house through the basement and was astonished to find Hoyt upstairs, as promised by the anonymous warning, sitting in his parlor with his wife. Myers “remonstrated” with Virginia on the “impropriety of her conduct.” Hoyt later visited Myers at his office and said the note had been made up by some malicious person and Myers responded that no matter who wrote the note, these visits must be stopped and Hoyt solemnly promised they would be.


The anonymous note left for William Myers


Virginia’s father, Major John Pollard, recalled that in June, Virginia and William Myers were visiting her parents at their home in Albemarle County and on the 13th his wife observed Virginia writing a letter to Hoyt. Major and Mrs. Pollard decided to let that letter go in the mail and to intercept any reply, which soon came in the form of a letter from Richmond for Virginia but addressed in a woman’s handwriting. Inside was a letter from Hoyt to Virginia Myers, termed by Major Pollard “of a most improper character for any gentleman to write to a married lady.” Because it was intercepted this is the only surviving example of Hoyt’s writing to her, but the content is no less intense and overheated than her letters to him. Hoyt wrote on June 18th: “My dearly loved Virginia – While lying on my couch, where I had been from some two hours, thinking of thee – much to my surprise and delight, your dear sweet letter of the 13th inst. was handed to me….You well know, dearest Virginia, how anxious I am to make you a happy woman, and I would willingly give my life to accomplish it – would that but do it.”

Major Pollard intercepted Hoyt’s letter on June 23rd and by the 25th was in Richmond with the sole purpose of confronting Hoyt. That evening the furious Pollard found Hoyt in his office at the Exchange Hotel, and demanded that he stop all communication with his daughter. Pollard repeated the demand several times and in each instance Hoyt agreed, asking only that the two letters be burned. Major Pollard said he would be back in Richmond in two weeks but for the time being would retain any letters between Hoyt and his daughter.

The next evening Pollard was standing in the Rotunda of the Exchange Hotel and was surprised by his son-in-law, who said he and his wife were returning from Albemarle and stopped at the Exchange. Major Pollard went to Parlor 18 expecting to talk to his daughter and was astonished to find her sitting side-by-side with Hoyt, who moved away suddenly when he saw Virginia’s father appear in the doorway. Major Pollard left the hotel but was back at Hoyt’s office early the next morning and roused him from bed. Taking him outside and speaking with Hoyt on the 14th Street sidewalk, the enraged Pollard “reproached him for his treachery.” He said that if this persisted and caused a rift in his family between his daughter and her husband, he assured Hoyt that he would kill him. Pollard returned to his home, thinking Hoyt was sufficiently frightened that he would no longer trouble Virginia Myers or intrude in her marriage, but at the same time took the precaution of preserving the two damning letters.

James R. Pollard, Virginia’s brother, was not that confident that Hoyt had been frightened off and was no longer a problem. In mid-July, having been appraised by his father as to his confrontation of Hoyt, the younger Pollard said flatly, “I came down to Richmond to watch Hoyt.” He spotted the lottery dealer, walking in the cool shade of the trees of Capitol Square with Virginia Myers. James Pollard wrote Hoyt a note the next day and told him for the first and last time, to “desist from the course he was pursuing, and told him if he did not, his life would pay the penalty.” He later met Hoyt before leaving Richmond, but Hoyt assured James Pollard that now that he was fully aware of the effect of his association with her, he would avoid Virginia Myers both in public and private.


The Exchange Hotel. Image from the Mutual Assurance Society papers, pictured in Old Richmond Neighborhoods (1950)

 

Despite his protestations, Hoyt was in an increasingly dangerous position as the summer wore on. Among the many Richmonders who frequented the Exchange Hotel, was Poitiaux Robinson, who was a keen observer of what was happening at the hotel – especially between Holt and Virginia. Robinson said he had stopped by the bar at the Exchange one day for “a snack” and happened to walk by Parlor No. 18. Glancing in, he was astonished to find Virginia Myers sitting on a sofa with Holt beside her and his head in her lap. Holt was also seen emerging from the Myers house or meeting Virginia at the Exchange Hotel on several occasions. So rife were the rumors that when they reached William Myers, he wrote to his father-in-law in mid-September describing the deteriorating situation. William’s brother, Samuel Myers, directed William’s carriage boy to bring him any letters Virginia sent to the Post Office that were addressed to Hoyt, and when she was confronted by Samuel, in a panicked rage, she denounced the letters as forgeries. Told of all this, Major Pollard returned to Richmond, collected Virginia and her trunks on Wednesday, September 23rd, and forced her to return to the Pollard home in Albemarle County. She never saw Dudley Marvin Hoyt again.

On the evening of Sunday, September 27th, Poitiaux Robinson spoke to Hoyt about the rumors circulating around Richmond, but Hoyt seemed reserved and reluctant to talk about the subject. Robinson mentioned that William Myers was on his way back to Richmond and warned Hoyt that he should expect to be held accountable for his actions toward Virginia Myers. Hoyt speculated aloud it would all lead to his destruction. Nevertheless, he swore again, “before God, on this Sabbath night, I am innocent of any criminality.” “Surely, said I,” recalled Robinson, “…you have been grossly imprudent. How could you be so mad as to walk home with Mrs. Myers the other night whilst these rumors are afloat?” The last thing Hoyt told Robinson was that “If I have a friend in the world, and are found to be in a dying condition, I take it as a favor from him to interrogate me at this point, and I will then, as I do now, assert my innocence.”

To the casual observer, nothing had changed in Richmond, but for the increasingly uneasy lottery agent, the city must have seemed smaller and darker. Everyone was spreading rumors of him and Virginia Myers, and the fact she had been collected by her father and whisked out of the city only fueled the speculation. Hoyt’s name was on everyone’s lips and he was becoming infamous among the clientele and patrons of the Exchange Hotel. Both Hoyt and Virginia Myers often spoke of their stainless innocence, and used the words often in describing their status and condition. They carefully parsed the difference between the emotional depths of their relationship and physical contact, each calling themselves blameless and innocent, pure and without guilt. On the streets of Richmond, this wasn’t the impression.

Hoyt had the Pollards calling for his blood, everyone at the Exchange Hotel was chatting about his most personal business, and the affair had the danger of affecting his livelihood. The lottery business must go on, tickets had to be sold, money collected, and prizes awarded. Hoyt sat down to compose the advertisement to run on the next day:

There seems to be a scarcity of money with all except the patrons of HOYT. With them it is plenty. He is filling their pockets with capitals, and each in turn will be served. All those who have drawn prizes and those who have not should have tickets now. HOYT is in luck….

Dudley Marvin Hoyt could not have been more mistaken.

The next morning was Monday, September 28, 1846. At 6:30 AM, Hoyt woke up to a knock on his door. We can only imagine what his apartment behind the lottery office looked like, but a newspaper article said it was consistent with the Hoyt’s taste in clothes: “He was remarkable in his dress, always in the extremest [sic] fashion, and his tastes were peculiar, as strikingly exhibited by the furniture and decoration of his room.”

Into that exotically decorated space stepped a Richmond businessman, William S. Burr. Hoyt, still in bed, propped himself up on one elbow and looked at Burr, who introduced himself and said he was there on “a very disagreeable piece of business” which he hoped, “could be happily adjusted.” He gave Hoyt a single sheet of paper to sign, on which was written:

I, D. Marvin Hoyt, of the city of Richmond, do hereby pledge myself to leave the said city forthwith, and never to return to it, acknowledging at the same time the penalty for any violation of this pledge to be the forfeiture of my life.

Richmond, Va., Sept. 28, 1846.

Hoyt, no doubt confused and probably hoping to God this was all just an extremely bad dream, read the letter and looked up and said, “I can’t sign this.” Immediately on Hoyt’s refusal and to his further astonishment, two more grim men stepped into the room and joined Burr: William Myers and his brother Samuel. They advanced close to the bedside and looked down on the confused and frightened Hoyt, still holding in his hand the paper Burr wanted him to sign. The three men in their black suits loomed over Hoyt, and with the bed against the wall blocking the far side, there was no space and no time to avoid whatever was certainly coming. Without a word, William Myers reached in his coat pocket, produced a pistol, pointed it at Hoyt’s head, and pulled the trigger.

End of part one.

 

- Selden





Sunday, February 2, 2025

Central National Bank Building drawing by Charles W. Smith, Richmond Magazine, January 1929.


The Central National Bank Building, built in 1929 at 219 E. Broad Street, was known for decades to Richmonders as the Central Fidelity Bank building. At twenty-two stories it was the tallest building in the city for decades. The Art Deco skyscraper was designed by John Eberson (1875-1964), a noted New York architect best known for his design of movie theaters. Local architects Carneal and Johnston shared in the work and design of the building. The large neon sign that stood on the top of the building changed colors according to the weather forecast for the next day. The image of the building, drawn by Virginia artist and educator Charles W Smith, is on the cover of the January 1929 issue of Richmond magazine published by the Richmond Chamber of Commerce. Click HERE to learn about the building's current use and owner. And more about the building's design and the bank's history HERE. Lastly, see more images by Smith that graced the cover of Richmond magazine in previous Shockoe Examiner posts.

- Ray

Wednesday, January 22, 2025

An Open Letter to Mayor Avula Regarding the Westham Train Station that should be Saved.

Westham Train Station as it appears today.  

 
As the building once appeared.  The Westham station served as the Richmond Visitor’s Center almost 40 years. This postcard image shows the building, which was surrounded by a transportation exhibit as well as providing information about Richmond for visitors coming off the interstate.




Dr. Danny Avula, Mayor
City of Richmond Virginia
900 East Broad Street, Suite 201
Richmond, VA 23219

 

Dear Mayor Avula:

First, best wishes for you and your staff for 2025.  As we have seen from the recent water crisis in Richmond, problems with this city can spring up in an instant, to add to those passed down by preceding administrations.  The latter is the case in the deliberate and calculated deterioration of a City-owned property that you may not be aware of, and I would like to bring this to your attention as time is of the essence.

The former Westham, Virginia train station was built in 1911 and moved by the Richmond Jaycees to its current site at 1710 Robin Hood Road in 1963.  It is City of Richmond property, and once served as the City of Richmond Welcome Center for many years before the Welcome Center moved to Downtown Richmond in 2002.  Since then, the former train station has been allowed to deteriorate, and the City of Richmond has done virtually nothing to maintain this building in more than 20 years.  It is the responsibility of the Economic Development Authority of the City of Richmond, but they clearly have no interest in any other course than let the building fall down and then demolish it.

Mayor Avula, in other cities this kind of building is celebrated as a local asset, to be utilized and treasured.  It is a building form that is rapidly disappearing from the American landscape.  The evidence of the condition of the former Westham station clearly signals to visitor and taxpayer alike that City of Richmond has embarked on a program of demolition by neglect, ironically carried out beside the largest highway artery on the East Coast for all to see.

The idea that this waste of a cultural and historic resource is being conducted by the City of Richmond itself is especially galling. The City-owned Leigh Street Armory suffered the same indifferent “stewardship” verging on criminal until it was rescued and is now the Black History Museum and Cultural Center of Virginia and is a major tourist draw and considered an architectural gem.  If we as a city only had the imagination and the creativity to save this building, too, it would be an amazing asset for Richmond.  This is obviously not the case, so I urge you to put an end to the indifference shown by your predecessors and give this building away to some entity who can move it, restore it, and reuse it.  Time is critical as the building is rapidly deteriorating.

 

Sincerely,  

Selden Richardson 

      

CC: Matthew Welsh, Acting Director of Economic Development


Here is the contact information for the Mayor: RVAMayor@rva.gov

 Phone: 804-646-7970


Contact Matthew Welsh, Acting Director of Economic Development

email: econdev@rva.gov

 


 

Broad Street postcard view, the Bijou theater building on the right, postmarked 1908


East Broad Street Looking West from Ninth Street postcard view, with The Bijou theater building on the right, postmarked 1908.



Reverse side of the postcard. 


Friday, January 17, 2025

Hook and Ladder Truck Company No. 2, Richmond Fire Department, 1894 - 1805 E Grace St.


"Hook and Ladder Truck Company No. 2, Richmond Fire Department" from The Richmond Virginia Fire Department -  compiled by the Firemen's Relief Association, Richmond, Va, published in 1894. The publication is full of images and information about the history of the fire department and its current status as of 1894.



The building on the right in the 1894 image was their fire station, located at 
1805 E Grace St. That building now is home to the Ironclad Coffee Roasters.

Read more about the Richmond Fire Company of 1894 HERE.

- Ray