Wednesday, August 25, 2010

Possible Origin of "Shockoe" (and the names "Shockoe Slip" and "Shockoe Bottom") by Jeffrey Ruggles


Image from the essay:
"A Possible Origin for “Shockoe”
(and the names “Shockoe Slip” and “Shockoe Bottom”)" 
by Jeffrey Ruggles.

In this post from The Shockoe Examiner we have a guest contributor who has offered our readers a chance to read his essay on the origins of the name "Shockoe." The researcher and writer is Jeffrey Ruggles. Here's a little about Jeffrey:
"Although not born in Richmond, Jeffrey Ruggles has lived in the Richmond area since high school. He received his B.A. from the University of Virginia and an M.F.A. in design/photography from Virginia Commonwealth University. In the 1980s, Ruggles worked as a photographer for the 1708 Gallery and Anderson Gallery and assisted with text, illustrations, and the design of 32 Canal Walk Historical Marker panels installed between downtown Richmond and Brown’s Island.

Ruggles recently left the Virginia Historical Society (VHS) where he was Curator of Prints and Photographs. While at the VHS, he curated two online exhibitions and four physical exhibitions. Ruggles also helped organize "Hidden Things Brought to Light: Finding Lumpkin's Jail and Locating the Burial Ground for Negroes," a conference at the Virginia Historical Society in February 2009. In addition to his work at the VHS, Ruggles is the author of The Unboxing of Henry Brown (2003) and Photography in Virginia (2008)."
 - from: http://www2.richmond.com/content/2010/apr/13/richmond-neighborhoods-community-conversation/
Jeffrey's introduction to his essay (the complete document is available as a PDF file):
"For a good while I haven't been satisfied with existing explanations for the great Richmond name "Shockoe." After long poking around, recently the opportunity presented itself to wrap up an essay on the subject. The readers of The Shockoe Examiner would seem to be an appropriate and indeed ideal audience for it. The paper is presented as a PDF for several reasons. First, to speak about the topic with credibility, footnotes are a necessity, and blog formats can become clumsy with more than a few footnotes. Also, the PDF preserves the design that keeps the text, images, captions, and footnotes together as desired. Just for fun a look at two modern versions of the name is also included."
Access the PDF file of the essay by Jeffrey Ruggles:
"A Possible Origin for “Shockoe”
 (and the names “Shockoe Slip” and “Shockoe Bottom”)" here.


- Ray B.

Tuesday, August 24, 2010

The DIAMOND PETERS' Mausoleum, Forest Lawn Cemetery, Richmond, VA

  
Forest Lawn Cemetery is in Richmond, Virginia is Located at 4000 Pilots Lane near Washington Park north of Laburnum Ave.

Established in 1922, Richmond's Forest Lawn Cemetery an early example of the suburban facilities established for a population growing beyond the capacity of early burying grounds like Hollywood.  Only a few mausoleums dot the landscape of Forest Lawn as most of the tidy acres along its tree-shaded streets display fairly conventional headstones.

 
Nothing in this pleasant vista prepares the visitor for the mausoleum of Mrs. Diamond Peters and her family, which surely takes the prize among Richmond's cemeteries for sheer excess in style and execution.


The neglected and weed-choked plot around it is in stark contrast to the temple-form mausoleum, built of highly polished black and gray granite and which proclaims the name of its principal occupant in large gilt letters on each pediment: DIAMOND PETERS. The approach crosses a cobblestone ditch and passes a bronze plaque of memorial poetry ("Life wouldn't seem so bleak today / had you not seemed so dear…").  A separate pedestal nearby holds a granite plaque, now weathered and illegible, which once illustrated the Peters family tree.  



In front of the mausoleum, an impressive stone circle made of a single piece of polished granite four feet in diameter encloses a large metal engagement ring with an empty setting.  A 1997 article about the Peters tomb called this a fountain, designed to project water in the shape of a diamond, but no piping for water is apparent. Instead, the setting probably held a large glass or plastic diamond, and there are three floodlights around the perimeter of the planter to illuminate it at night.  It is hard to imagine who would be in the cemetery after dark to appreciate this display, but the brilliantly lit oversize diamond ring must have been quite a sight when intact and functioning.  
 

The most arresting features of the mausoleum are the two portrait statues of Diamond Peters herself that flank the entrance.  These life size marble statues show her as a broadly smiling bride on the left and as an equally cheerful matron on the right.  In each version her hands are clasped demurely in front of her, but as a bride Peters holds a large spray of roses.  




 Athena-like, the statues stare out from under the porch of Diamond Peters' granite tomb, depicting a woman on one hand delighted with the prospect of marriage and on the other unfazed by the passage of years that have transformed her.

Above the entrance is an engraved band of portraits, presumably the Peters grandchildren, which flank an image in a diamond-shaped frame above the door of Diamond and her husband Angelo on their wedding day.  Angelo Peters wears a military uniform, reflecting the date of their marriage during World War II.  The images of the children are oddly informal, as though they were taken from high school yearbook photos.  


 One young man with a slight moustache has
been immortalized forever in stone - wearing a T-shirt.

Inside the mausoleum are the tombs of the Peters and other family members.  A switch on the wall inside the door operates a functioning electric candelabrum, although no meter is apparent outside. Diamond Peters' inscription reads "Born Happy March 18, 1923 - Left This Earth February 25, 1982."  Beside her, her husband's epitaph, like the entire mausoleum, testifies to his utter devotion to his wife:  "Angelo J. Peters," it reads, "Born For the Purpose of Marrying Diamond September 17, 1944 - Born March 20, 1920 - Left This Earth February 3, 1987."

The source of the wealth that built this astonishing expression of marital affection is unclear.  A 1999 article about Forest Lawn Cemetery commented on the Peters tomb and stated that Angelo Peters was the founder of Dunkin' Donuts, but the website for that corporation credits a man named Bill Rosenberg for having founded the chain in Quincy, Massachusetts, in 1950.  Forest Lawn Cemetery Superintendent Charlie Thomas was once quoted in Northside Magazine, saying Angelo Peters was very wealthy "because he sold a recipe." Whatever the source, many thousands of dollars were obviously expended in sheltering the mortal remains of Diamond Peters and her loving husband Angelo.

Unfortunately, the decrepit condition of the Peters mausoleum today bespeaks a lack of interest in it, although wilted flowers and verses left inside on a small table indicate someone does visit on occasion. While the brilliantly polished surfaces of the granite temple have resisted the weather, rank weeds grow up around it and choke the centerpiece in front with its oversize ring and missing diamond.  The Peters plot does not appear to be in the same perpetual care program as the rest of Forest Lawn, and has suffered as a result.


The floodlights in front of the tomb are now broken, although their blazing away in the otherwise pitch-black and deserted cemetery is a vivid image. The twin marble statues would have stood out dead white against the dark wall of the tomb below the glowing gilded letters DIAMOND PETERS on the pediment. Today, the whole effect of the grandiose mausoleum and its deteriorating setting in this corner of Forest Lawn Cemetery invokes a melancholy air.  The Peters mausoleum invites thoughts of futility, and the impermanence of life and love, despite one devoted husband's extraordinary attempt to freeze both in polished granite and marble.

-- Selden R.

Monday, August 16, 2010

James J. Kilpatrick (1920-2010), columnist (and racial segregationist) for the Richmond News Leader is Dead.

The Washington Post notes this afternoon that: 

"James J. Kilpatrick, 89, a fiery advocate of racial segregation as a Richmond newspaper editor in the 1950s who became a sparring partner of liberals on the television show "60 Minutes" and a syndicated columnist who offered conservative views on subjects ranging from politics to proper use of the English language, died Aug. 15 at George Washington University hospital. He had congestive heart failure."

Kilpatrick was born in Oklahoma City but came to Richmond around 1940 - for a while he lived on West Ave. near what is now the Monroe Park Campus of VCU. 
The Washington Post wrote:

"He went to work for the News Leader and rose quickly under the tutelage of editor Douglas S. Freeman, a Pulitzer Prize-winning historian of Confederate Gen. Robert E. Lee. At age 30, he succeeded Freeman as editor."

Kilpatrick might be one of our most "infamous" Richmonders - the New York Times sums it up pretty well:

"Mr. Kilpatrick popularized interposition, the doctrine that individual states had the constitutional duty to interpose their separate sovereignties against federal court rulings that went beyond their rightful powers and, if necessary, to nullify them, an argument traced to the writings of Thomas Jefferson, James Madison and John C. Calhoun. 

He debated on television with the Rev. Dr. Martin Luther King Jr. and wrote on race and states’ rights in “The Sovereign States: Notes of a Citizen of Virginia” (Regnery, 1957) and “The Southern Case for School Segregation” (Crowell-Collier, 1962).

At times, Mr. Kilpatrick went beyond constitutional arguments. In 1963, he drafted an article for The Saturday Evening Post with the proposed title “The Hell He Is Equal,” in which he wrote that “the Negro race, as a race, is in fact an inferior race.” 

Good riddance.

- Ray B.


 

Wednesday, August 11, 2010

Who Are These People?

Time and time again, people in Richmond throw collections of materials (photographs, correspondence, minute books, ledgers, architectural drawings, neat magazines, records, and all sorts of printed ephemera) out in the trash or on the street. Harry Kollatz came across this distressing situation last week and talks about it in his latest blog entry.  Help him out - take a look.  

And if you have some materials like this you want to throw out, give us a ring first!

- Ray B.

Friday, August 6, 2010

L.H. Jenkins book bindery building, 2201 W. Broad St., 1930

The L.H. Jenkins book bindery building as it appeared in
Richmond Magazine, March, 1930. Drawing by Charles W Smith
(click for larger view)

The L.H. Jenkins bookbinder building was completed in 1922 with the right wing addition designed by Richmond architect Charles M. Robinson. The main building on the left was completed in 1902. The bindery building stands at 2201 W. Broad Street. The L.H. Jenkins firm was begun ca. 1900 - he had been in the business for almost two decades prior to that. The image of Luther Howard Jenkins (1856-1935?) and the original factory (seen below) are from Richmond, City on the James: The Book of its Chamber of Commerce and Principal Business Interests, published 1902-3 and found on Google Books. In the early 1980s the building was converted to office space. Numerous businesses are now located in this building. The hard working staff of Richmond Magazine (the current incarnation) also work out of this building, including some guy with a hat.




Images from Richmond, City on the James: The Book of its Chamber of Commerce and Principal Business Interests, published 1902-3 and found on Google Books.