Thursday, September 30, 2010

WHAT PRICE FREEDOM? A One-Man Play about Prosser's GABRIEL Free performances in Joseph Bryan Park Fridays, Oct 1st, 8th & 15th, 6:30pm

 
Bettye J. Thornton, Timothy L. Harris, Frank Thornton, and Derome Scott-Smith

WHAT PRICE FREEDOM?
 
A One-Man Play about
Prosser's GABRIEL
 
free performances
in Joseph Bryan Park

Fridays, Oct 1st, 8th & 15th, 6:30pm

In the late 1700s, Gabriel was a slave in Henrico County. During the summer of 1800, he and other leaders planned a slave uprising in Bryan Park, which was to capture Governor James Monroe, the City arsenal, and burn Rocketts Landing. Their plans were foiled by a rainstorm and untimely delay.

Later that Fall, Gabriel was captured and imprisoned. This monologue, written by Derome Scott-Smith, founder of Richmond’s African American Repertory Theater, recreates Gabriel's last days, meditates on his desire for freedom, his indignation at the injustice of slavery, the planning of his bold rebellion, and his thoughts about his impending execution.

Richmond actor Timothy L Harris (BigManBigVoice) brings Gabriel to life .

Performances will be outdoors beside the tennis courts near Picnic Shelter #1. Signs in the Park will direct visitors to parking. The public is advised to bring a blanket or chair to sit on. In case of inclement weather, performances will be postponed.

For more information, call 646-5733 or visit: wwwfriendsofbryanpark.org
 
These Productions generously supported by the
County of Henrico Board of Supervisors and the City of Richmond City Council.
 
Special thanks to Fairfield District Supervisor Frank Thornton,
City Councilman Chris Hilbert (3rd District) and
City Councilman Marty Jewell (5th District)

Resources on Slavery in Richmond, Virginia

"Show Me Your Richmond" - Current TV's JT Gets a tour of Richmond with Dave Brockie, 2008.


"Show Me Your Richmond" is not the most accurate "history" of Richmond. Consider it an irreverent look at the city - part of a series of "Show Me Your (city)" videos produced by Current TV.  

The video, filmed in 2008 and running 8 minutes, is worth watching because you get to meet a few interesting Richmond characters including Dave Brockie (musician - GWAR/Death Piggy), Noah Scalin (Skull a Day), Dirt Woman (Donny Corker), and Wes Freed (artist).

Visit the site below to watch the film and then check out the many responses to the video (especially the ones by HarryK). A two minute video of outtakes is available Here.

Wednesday, September 29, 2010

Name the "woman" on the right and the Richmond venue.


We will share the video from where this image is taken from after we get some feedback.
The woman on the right is WhoWhat Richmond restaurant is this scene from?

WHAT PRICE FREEDOM? A One-Man Play about Prosser's GABRIEL, Joseph Bryan Park, Oct. 1, 8, and 15, 2010.

Joseph Bryan Park Centennial Celebration
 
WHAT PRICE FREEDOM?
 
A One-Man Play about
Prosser's GABRIEL
 
free performances
in Joseph Bryan Park

Fridays, Oct 1st, 8th & 15th, 6:30pm

In the late 1700s, Gabriel was a slave in Henrico County. During the summer of 1800, he and other leaders planned a slave uprising in Bryan Park, which was to capture Governor James Monroe, the City arsenal, and burn Rocketts Landing. Their plans were foiled by a rainstorm and untimely delay.

Later that Fall, Gabriel was captured and imprisoned. This monologue, written by Derome Scott-Smith, founder of Richmond’s African American Repertory Theater, recreates Gabriel's last days, meditates on his desire for freedom, his indignation at the injustice of slavery, the planning of his bold rebellion, and his thoughts about his impending execution.

Richmond actor Timothy L Harris (BigManBigVoice) brings Gabriel to life .

Performances will be outdoors beside the tennis courts near Picnic Shelter #1. Signs in the Park will direct visitors to parking. The public is advised to bring a blanket or chair to sit on. In case of inclement weather, performances will be postponed.

For more information, call 646-5733 or visit: wwwfriendsofbryanpark.org
 
These Productions generously supported by the
County of Henrico Board of Supervisors and the City of Richmond City Council.
 
Special thanks to Fairfield District Supervisor Frank Thornton,
City Councilman Chris Hilbert (3rd District) and
City Councilman Marty Jewell (5th District)

Resources on Slavery in Richmond, Virginia

W. J. Johnson's - Shoe Maker.


This image was sent to us by Ed Miller - a fan of our site.  The shoe shop was located on 18th Street. It is hard to determine the date - but had to be taken before 1922, the year the man on the left (William John Johnson) died. Ed dates the photo circa 1910 and that seems about right. Here's how Ed describes the photograph:
"My great-great-grandfather, Jacob Johnson came to Virginia from Bavaria before the Civil War. St. Mary's German Catholic Church in Richmond recorded his name as "Janson" on his children's baptismal records, which may have been the original spelling of his name.  The 1860 Census lists Jacob (and wife Wilhelmina) as a lock keeper on the Kanawha Canal in Goochland. Sometime after the war he settled in Richmond and made his living as a boot and shoe maker. His sons assisted in that trade and carried on the business after his death in 1877.
The 1880 Richmond City Directory continued to list Jacob Johnson as a shoemaker living at 23 North 18th Street. My great-grandfather, Charles Lawrence Johnson, worked for the Chesapeake and Ohio Railroad for over fifty years, but his brother, William John Johnson, continued as a shoe maker. The 1883-84 Richmond City Directory lists William J. Johnson, shoemaker, living at 21 North 18th Street. The 1900 City Directory lists William J. Johnson, shoemaker at 4 18th Street living at 382 Thirty Fourth Street, Port Mayo.
This undated image shows William John Johnson [Ed's great -grandfather's elder brother] on the left, an unnamed employee and a man in a dark suit. The interior of the shoe display case has "W. J. Johnson's" painted in the back. 
It would be interesting to know who the gentleman in the suit might be. He seems to be the reason for the picture-taking. I thought he might be a local politician going through the business area making contacts. The shoemakers appear to have momentarily stopped work in shirtsleeves and aprons just for the photo. The original photo had pencil marks that may have indicated crop marks for newspaper publication."
                       --  Ed Miller.
   

Tuesday, September 28, 2010

Time Capsule at Joseph Bryan Park

Harry keeps us all up to date on a wide variety of things going on in Richmond. Visit his latest column where he talks about the new time capsule full of items from all over Richmond - including items collected by VCU Libraries staff (he left that out) - that was buried last week in Joesph Bryan Park.

Harry's The Hat is here.

- Ray

Monday, September 27, 2010

The Pending Overhaul of the Richmond History Galleries




I (TP) hope that this entry will foster dialogue on the much-anticipated redesign and overhaul of the Richmond History Galleries at the Valentine Richmond History Center.  I would encourage all Richmonders who read this blog entry, both history geeks and inquiring souls who want to decipher our fair city, to stand up and sound off on the Valentine’s quest to better present Richmond’s history.  You can review the Valentine Richmond History Gallery project as well as provide valuable input via an on-line survey. Just head to the portion of the Valentine website site dedicated to this project: http://www.richmondhistorycenter.com/rhg/default.asp. The history gallery wrangler is Dr. Edward Dubois Ragan to whom you can direct your comments at eragan@richmondhistorycenter.com.
I wish to thank the Valentine for the opportunity to participate in the public meeting on the overhaul of the galleries.  This July 29, 2010 public kick-off event was well attended by a cross section of the Richmond of our day. The meeting provided an excellent start to a public dialogue on what this primary showcase of our community’s history should be.
I hope that the galleries will become a sort of user-friendly Rosetta stone for Richmond history. The working title of the new history gallery exhibit is “Of Power and Place Richmond, Virginia as the Nexus of A Nation”.  This is a good overarching theme, since Richmond embodies both singular aspects of American history, while also providing a lens for viewing broad themes the history of the Nation, region and State.  To focus this overall concept the Valentine is proposing five overlapping themes.  I have listed them below with my personal critique:
Theme 1 – The Power of Place: The Falls of the James River --  This theme is absolutely spot on.  Richmond simply would not exist if it were not for the Falls of the James. The Falls are the critical dividing point between the Piedmont and Tidewater sections of Virginia’s most important river. Regardless of whether it is a point of division or convergence, almost every topic of Richmond history you can name: military, transportation, tobacco, African American, Native American, industry, recreation, etc.; revolves around this dramatic transition in the flow of the James River. The James is also the enduring and overwhelming landmark in the physical form of our community.
Theme 2 -  Production, Pathways, and Progress—These three items are all highly intertwined in our history.  Richmond, because of its strategic location at the Fall line and the power of the River, has had a long tradition of production from flour, machinery, and tobacco to advertising, art, and legal briefs.  This history encompasses an expanding layering of transportation systems: Native American Trails, turnpikes, canals, ship channels, railroads, and interstate highways. The intertwined growth of production and transportation has marked the progress (buildings, culture, amenities, opportunities, and liberties) Richmond as a tier one historic city.
Theme 3 – Hills and Bottoms: Class and Space in Richmond— The history of Richmond neighborhoods is completely intertwined with class, race, and ethnicity. The spaces, both lost and surviving, occupied by various Richmond groups reflects the place building preferences of various groups and shows how financial, ethnic, and racial segregation established their place in the real estate pecking order.  Whether it is African American cottages in Swansboro, worker rowhouses in Oregon Hill, middle class Streetcar suburbs on Northside, or the precincts of the elite on Monument Avenue, each of these neighborhoods tells a particular story of Richmonders. At the same time, Richmond as an urban space a story unto itself shaped by topography, geography, wars, floods, available materials, buildings traditions, architectural theories, and other factors.  The story of both the making of the spaces, and who they were made by and for, warrants exploration in the history galleries.   
Theme 4 – Power and Policy: From Republic to Democracy –Richmond has provided a stage set for a bold cast of figures in the history of American government: Patrick Henry, John Marshall, Jefferson Davis, Harry Byrd; as well big events or epochs in American Governance: American Independence, the formation of the Federal System, Secession, Jim Crow, and Civil rights. The story of Richmond’s cantankerous City government would warrant consideration on its own, but governance in Richmond operates on all three levels of government/ Richmond has been or is: the Confederate national Capital, a Federal judicial center, the Capital of our commonwealth, and an independent City. Weaving the themes and chronology of this multi-layered story will be no small feat and will require a bit of artistry on the part of the curators and exhibit designers.
Theme 5 – Memory and Meaning: The Old South Meets New South in Richmond – This is most interesting of all the themes. Richmond has always been looking backwards and forwards with its southern identity. Boasting old south pedigree and antiquities while at the same time trying to show itself off as a great modern city.  For example, it built the first working electric streetcar system in the United States, while rushing to commemorate the Lost Cause and codify segregationThis dichotomy is alive and well today as evidenced by first Friday Artwalks and a major modern university on one hand and parades to the Confederacy and the oldest Garden Week festivities in the U. S. on the other  Pick some good artifacts and images for this one and let it rip with a creative exhibit design and text that makes sense of the timeless irony.
I will end by simply saying that I am psyched beyond words as to where the Valentine is taking this.  The input of all good people who care about and want to understand our City is needed to make it the exhibit that Richmond so richly deserves.  Get involved, give input, and follow developments on the Examiner.

- Tyler P.

New Book on Hollywood Cemetery

Richmond’s Hollywood Cemetery A new book by Richmond resident John Peters, published by the Valentine Museum History Center. This hardbound collection of historical and contemporary photographs and narrative about one of the country’s most famous cemeteries will be available in the Valentine Museum History Center Gift Shop as of September 16th. Makes a great gift! Mr. Peters will deliver an Author Talk and sign books on October 5th at 6pm at St. John’s Church.

Tom Robbins on Richmond in the 1950s - From Even Cowgirls Get the Blues, 1976


The original manuscripts of Tom Robbins' novels are housed in Special Collections and Archives, James Branch Cabell Library, VCU Libraries. Robbins was a 1959 graduate of Richmond Professional Institute which merged with MCV to become Virginia Commonwealth University in 1968.

What exactly does did Tom write in the passage seen above? I think he could have been talking about Richmond this past summer - here it is:
“One June, Richmond, Virginia, woke up with the brakes on and kept them on all summer. That was Okay; it was the Eisenhower years and nobody was going anywhere. Not even Sissy. That is to say, she was going far. Up and down Monument, perhaps; hitching up and down that broad boulevard so dotted with enshrined cannons and heroic statuary that is known throughout the geography of the dead as a banana belt for stuffed generals. 

"The Old Capitol of the Confederacy marked time in the heat. Its boots kicked up a little tobacco dust, a little wisteria pollen, and that was it. Each morning, including Sundays, the sun rose with a golf tee in its mouth. Its rays were reflected, separately but equally, by West End bird baths, South Side beer cans, ghetto razors. (In those days Richmond was convoluted like the folds of the brain, as if, like the brain, it was attempting to prevent itself from knowing itself.)."
"... Midday, the city felt like inside of a napalmed watermelon."  -
from pg. 36 of Even Cowgirls Get the Blues, by Tom Robbins, published in 1976.


- Ray 

Friday, September 10, 2010

The Pachyderms’ Revenge - Racism and the Mosque in Richmond, Va


We have another guest contributor --  Dr. Edward H. Peeples, Jr. is Emeritus Associate Professor of Preventive Medicine and Community Health at VCU where he taught for more than thirty years. Ed is a native of Richmond and spent most of his adult life as a civil rights advocate involved in a variety of human rights reforms in Virginia.

Ed sent us this essay, The Pachyderms' Revenge, last week. It is about racism and a bit of revenge. The essay is available in PDF form HERE.

To learn more about the Mosque's music history click HERE.