Showing posts with label Jr.. Show all posts
Showing posts with label Jr.. Show all posts

Wednesday, April 25, 2012

New Grave Marker for John Mitchell, Jr., editor of the Richmond Planet, at Evergreen Cemetery.


"Well, there's one kind of favor I'll ask of you,
Well, there's one kind of favor I'll ask of you,
There's just one kind of favor I'll ask of you,
You can see that my grave is kept clean."

"See that my grave is kept clean," - Blind Lemon Jefferson, 1928.



Evergreen Cemetery, in the far northeast corner of Richmond, is one of the saddest and most desolate places in the city.  Where it once was considered the high-style African American answer to the grandeur of Hollywood Cemetery, today it is largely overgrown and desolate.  Under a thick blanket of ivy, leaves, and weeds are buried the educators, ministers, businessmen and leaders that shaped black Richmond for generations, and their families.

 
Typical scene of the elaborate grave markers in the
forest that was once the fashionable Evergreen Cemetery.

Towering oaks crowd cast iron fences and a green pall of ivy threatens to engulf thousands of graves.  A few families try to stem the tide of kudzu that covers where their family members are buried with mowers and brush axes - an admirable if endless task.  Beneath the shade of the canopy of trees that now cover most of Evergreen are the graves of some of the most important black Richmonders of the post Civil War era.

 
John Mitchell, Jr., Richmond’s “Fighting Editor” of
the city’s African American newspaper, the Richmond Planet.

Among them is John Mitchell,Jr.  Born into slavery in 1863, Mitchell grew up in Reconstruction Richmond in a time of enormous growth in black society.  A rapidly developing black middle class demanded new businesses, buildings, and other advancements to signal parity with white Richmond.  


Among these institutions that served the growing African American demographic were Mitchell’s newspaper, the Richmond Planet, as well as a bank Mitchell founded, the Mechanics Savings Bank.  He served as city alderman for Jackson Ward, and was instrumental in the construction of the First Battalion Virginia Volunteers Armory on Leigh Street. Mitchell knew if parity with white society was to be attained, new facilities such as a high-style cemetery needed to be created.

As Evergreen Cemetery was once the picturesque equivalent of Hollywood Cemetery, the Armory on Leigh Street was the social and military equal of Richmond’s several armories for whites. More than a hundred years later, the Armory and the cemetery, Mitchell and his contemporaries from the turn of the last century are finally beginning to be recognized.

When she died in 1913, Mitchell installed an elaborate memorial for his mother, Rebecca, of a robed woman embracing a cross.  On it he had added an inscription, which is not only a tribute to her memory but also a remarkable record of Mitchell’s own unyielding character:

SHE HATED DECIET AND DESPISED HYPROCRACY.  HER CHRISTIAN TRAINING AND UPRIGHT CONDUCT MADE ME ALL THAT I AM - ALL THAT I HOPED TO BE.

Consistent with that philosophy, Mitchell used the Richmond Planet as a vehicle to hold up the horror of lynchings to the public, and travelled throughout Virginia documenting violence against African Americans to investigate equalities and injustices of Jim Crow America.  Once described in the New York World as someone “who would walk into the jaws of death for his people,” Richmond’s “fighting editor” died at his home on Clay Street in 1929.

The overgrown Mitchell family plot in 2008, showing the elaborate  monument
John Mitchell, Jr. erected to the memory of his mother.  Mitchell is buried in this plot.

In contrast to an elaborate funeral procession that accompanied Mitchell’s coffin from Fifth Street Baptist Church out to Evergreen, Mitchell was buried under a “cheap, flat stone,” typical of the kind that mark so many graves at Evergreen.  Over the decades, the grave marker was either lost or deliberately destroyed, both equally possible as maintenance of the cemetery declined and vandalism was on the rise.  The nearby plot that held the remains of Mitchel’s friend and contemporary, Maggie Walker, and her family also became choked with weeds and brush, as did all of the once tidy cemetery grounds.

 In the foreground, the plot that contains the graves of Richmond’s
famous bank president and entrepreneur Maggie Walker and her family
are shown in 2010 before the cemetery cleanup.
In 2011, the shameful condition of John Mitchell, Jr.’s grave was addressed by the Black History Museum andCultural Center.  An initiative to preserve Mitchell’s burial place was a natural for the B.H.M.C.C. as the premier collector and interpreter of the African American experience in Richmond. The Museum, with the help and advice of members of the Mitchell family and aided by many concerned donors, commissioned a new marker for Mitchell’s grave – one that recognized the significance of this important figure in Virginia’s African American history. 

 The name “Mitchell” carved into the entrance of
the once overgrown family plot in Evergreen Cemetery.

At the same time, great strides in cleaning vegetation from Evergreen Cemetery have been made.  Volunteers assembled by the Evergreen Cemetery Clean Up Project’s coordinator John Shuck, have cleaned up acres of the cemetery, removing tons of debris and ivy, but a massive amount of work remains.  Among the volunteer groups working in the woods are members of Upsilon Nu Chapter of Omega Psi Phi Fraternity, who performed an amazing job clearing the hilltop plots where the Mitchell and Walker families are buried.

Thanks to the many volunteers, the vegetation around the Mitchell family plot
and many others nearby has been cleaned away. Here the massive new marker
for John Mitchell, Jr. can be seen beside the grave of Rebecca Mitchell, his mother.

The massive new stone of Georgia granite was suitably inscribed and installed by Oakwood Monument Company.  It lists Mitchell’s achievements and emphasizes his role as an early leader in what would eventually termed the struggle for Civil Rights in this country.  The first new grave marker in the historic part of Evergreen Cemetery for many years finally has given this remarkable figure the recognition he so deserved.

 





Showing the draft inscription and the granite slab ready for engraving at Oakwood Monuments Co.

I

A close-up of the inscription on the new grave marker for John Mitchell, Jr.

A ceremony of unveiling the Mitchell monument took place on February 25, 2012.  Present were representatives of the Black History Museum, descendants and relatives of John Mitchell, Jr., Raymond Boone, the editor and founder of the Richmond Free Press, donors to the project, and many other proud Virginians.  The ongoing clearing of plots in Evergreen, combined with the new John Mitchell, Jr. grave marker and a recently-erected State historical marker explaining the significance of Evergreen will all serve to draw attention to this, one of Richmond’s most neglected African American heritage sites. 
  A view of a map of the cemetery laid over an image from Google Maps. 
The cleared hilltop where the Mitchell and Walker family plots are are located at the little "U" shaped area above the "X" on the image - click on the image for a larger view.  


 
 
Where before there was almost no signage identifying Evergreen, today a new historical marker honors some of the prominent African Americans who are buried in this long-neglected cemetery.





- Selden.

Read the Richmond Planet at Chronicling America.

Important work is happening in Portsmouth too - see the web site


Friday, November 5, 2010

More Dimmock Buildings Documented: The North Side of the 200 Block of E. Franklin St.


Post card image of 200 E. Franklin, corner of Second and E. Franklin St.

In an earlier Post we showed a rare postcard view of 200 E. Franklin St. (see the image above). After recently coming across a newspaper article ["Richmond's Growth" - Richmond Dispatch, April 27, 1890] on building in Richmond in 1890, we have documentation that the Richmond architectural firm headed by Marion J. Dimmock (1842-1908) was responsible for its design - along with three other buildings directly to the west - 202, 204, and 206.  

The article is quite long and quotes several builders and architects in the city - all talking about how much building is going on in Richmond. 

Here is the section quoting Dimmock:




From Richmond Dispatch, April 27, 1890.

The William Henry Jones house he mentions is 800 W. Franklin Street - it is now owned by VCU and a photograph of the Oscar Cranz house (now demolished) was published in an 1892 edition of the American Architect and Building News (we will add that image after we acquire it).  Dimmock had published a house design for the T. C. Leake family in the 1880s in American Architect and Building News so this may be a new discovery as well. The other four patrons he mentions all had their houses built in a row - see below.


  Marion J. Dimmock (1842-1908). 

"Second to the elder [Albert L.] West (1825-1892) in seniority [of practicing architecture in Richmond] was Captain Marion J. Dimmock (1842-1908). The 1893 Chamber of Commerce book attested that "the architecture of [Richmond], indeed, bears everywhere the impress of his constructive and artistic talent."
Dimmock's work included buildings of ecclesiastical, civic, commercial, industrial and residential use. Dimmock was made a Fellow of the AIA [American Institute of Architects] in 1888, and was elected to serve a one-year term on the board in 1891. The Jones-Williams House at 800 West Franklin Street (1890 -1891) was designed by Dimmock.
Dimmock is one of the most important figures in late nineteenth-century Richmond architecture. His influence was felt not only through his own work, but for his role in training younger architects, such as C.K. Bryant (c. 1872-c. 1935) and Duncan Lee (1884-1952). Dimmock was the only Virginia architect whose work was published consistently in the trade journal, American Architect and Building News."


Click on the image twice for a much larger view.

The row of four houses on the left, 200, 202, 204, and 206, located on the north side of the street, were built in 1890 and designed by the Richmond architectural firm of Marion J. Dimmock. These Richardsonian style buildings are long demolished. Many more of this style in Richmond, most built in the 1890s, survive west of Belvidere, along W. Franklin Street and on streets in the Fan District. This image is from Art Work of Richmond published in 1897.  This block is just east of Lindon Row.
From the 1892 Richmond directory we learn:
200 E. Franklin St. -  Dr. Joseph A. White, Jr., physician and senior surgeon to the Richmond Eye, Ear, Nose and Throat Infirmary. 

202 E. Franklin St. - Robert G. Rennolds, secretary and treasurer of the Richmond Stove Co. 

204 E. Franklin St. - Dr. Robert B. Stover, physician.

206 E. Franklin St. - Dr. Charles W. P. Brock, physician.


Here is the 200 block of E. Franklin St. today - from Google Maps.

-- Ray B.